"Oh
no … really? Is that who we are now? Blind, unquestioning, warlike? Are
we that violent, that childish, that silly, that shallow? Are we that
afraid of others? Of ourselves? Of the possibility of genuine change?
Are we that easily swayed, that capable
of defending “American interests”, whatever “American interests” means?
Are we that racist, that terrified, that protective of an idea that we
don’t even question what the idea has come to represent?"
"There’s another way I look at the Twin Towers that’s perhaps more specific to myself. Every time I look at where they used to be, I try to think about New Yorkers in the 1960s and 70s who were horrified when they were built. The towers that were going up must have destroyed not just the skyline but, in their minds, also what the downtown stood for. So, I guess, historically speaking, I feel sad about the towers being there in the first place, although architecturally they were pleasant enough to look at from my late-70s forward perspective. And if nothing else, the Twin Towers helped the direction-impaired (me) know which way was north and south. And there were some great, wild dance parties at the rooftop restaurant. It was a moment and that moment is gone. But I am being nostalgic here and romantic."
"Someone asked me, “Do you think children born after, say, 1994, will ever feel the same things about 9/11 that people born before then feel?” More and more, what we “feel” about collective history seems like something manufactured, and kind of pumped into us, rather than a real emotion. It’s all so framed by the sense that reality doesn’t exist any more, or at least not in a way that is alterable or questioning.
-- Michael Stipe - the former REM frontman on Douglas Coupland’s 9/11-inspired artwork and the images that still haunt the US
"There’s another way I look at the Twin Towers that’s perhaps more specific to myself. Every time I look at where they used to be, I try to think about New Yorkers in the 1960s and 70s who were horrified when they were built. The towers that were going up must have destroyed not just the skyline but, in their minds, also what the downtown stood for. So, I guess, historically speaking, I feel sad about the towers being there in the first place, although architecturally they were pleasant enough to look at from my late-70s forward perspective. And if nothing else, the Twin Towers helped the direction-impaired (me) know which way was north and south. And there were some great, wild dance parties at the rooftop restaurant. It was a moment and that moment is gone. But I am being nostalgic here and romantic."
"Someone asked me, “Do you think children born after, say, 1994, will ever feel the same things about 9/11 that people born before then feel?” More and more, what we “feel” about collective history seems like something manufactured, and kind of pumped into us, rather than a real emotion. It’s all so framed by the sense that reality doesn’t exist any more, or at least not in a way that is alterable or questioning.
-- Michael Stipe - the former REM frontman on Douglas Coupland’s 9/11-inspired artwork and the images that still haunt the US
