Showing posts with label architecture. Show all posts
Showing posts with label architecture. Show all posts

Wednesday, September 17, 2014

Tear Downs. Progress in Houston?

HOUSTON CHRONICLE REAL ESTATE BLOG:
Demolition crews began taking down the 1930s-era Josephine Apartments this morning.
In May, the Houston Chronicle reported the 75-year-old complex was sold to Tricon Homes, a local homebuilder known for putting up new townhomes in Inner Loop neighborhoods. At the time, the company said it did not know what plans it had for the complex, which sits the corner of Ashby and Bolsover in a Southampton neighborhood.
The complex was built in 1939 by architect F. Perry Johnson with one-bedroom units arrayed in a U-shape, a floor plan common to that time period. The exterior is notable for horizontal bands of dark brown brick on the sides and parapets to mask the roof. The units, roughly 750 square feet each, have hardwood floors and faux fireplaces. The original owners had it built with central air conditioning to make the units more marketable.
The residents were previously asked to move out by July.
Well, there ya go. I lived in this neighborhood. These are charming 1930's Art Deco apartments in Houston gone to be replaced by cheap yuppie hovels. Another neighborhood trashed.  

Years ago, I'd take out of town visitors on the AIA Houston walking tours.  On one tour, the guide pointed out the Medical Arts Building and sadly commented that the next day it would be demolished. True, it had fallen on bad times, and when I saw it in the early 80s it was filthy and neglected, but the design and detail were memorable. 




If a town has no historic features left, it shows itself to be short-sighted and lacking in the ability to recognize what is valuable and in the innovation necessary to repurpose and preserve old structures. But the developer who bought the Josephine Apartments property clearly didn't want to do that. 

WASHINGTON POST: An economic defense of old buildings
Jane Jacobs, a woman akin to the patron saint of urban planners, first argued 50 years ago that healthy neighborhoods need old buildings. Aging, creaky, faded, "charming" buildings. Retired couples and young families need the cheap rent they promise. Small businesses need the cramped offices they contain. Streets need the diversity created not just when different people coexist, but when buildings of varying vintage do, too.
"Cities need old buildings so badly," Jacobs wrote in her classic "The Death and Life of Great American Cities," "it is probably impossible for vigorous streets and districts to grow without them.”  

Ever since, this idea -- based on the intuition of a woman who was surveying her own New York Greenwich Village neighborhood -- has been received wisdom among planners and urban theorists. But what happens when we look at the data?
The National Trust for Historic Preservation has tried to do just this, leveraging open property-parcel data in three cities to analyze the connection between the kinds of places Jacobs was describing and the numbers that economists and businesses would care about: jobs per square foot, the share of small businesses to big chains, the number of minority- and women-owned businesses.  

The novel geospatial analysis, drawn from the District of Columbia, Seattle and San Francisco, suggests that older, smaller buildings do matter to a city's economy and a neighborhood's commercial life beyond the allure of affordable fixer-uppers. In Seattle, the report found one-third more jobs per commercial square foot in parts of town with a variety of older, smaller buildings mixed in. In Seattle
San Francisco, it found more than twice the rate of women and minority-owned businesses. In the District, it found a higher share of non-chain businesses.
The findings don't necessarily mean we should save all old buildings from demolition, or even that one old building is better than one new one. But they give preservationists (and Jane Jacobs enthusiasts) new data in fierce development debates over how rapidly changing and relatively older cities like Washington should grow.
Photo credits - Josephine Apartments, Preservation Houston. Medical Arts Building post card photo, CardCow.com.

Saturday, October 20, 2012

On This Day: Wren

Architect Christopher Michael Wren was born 20 October 1632 in East Knoyle, Wiltshire, England.

The design of many churches in London bare his stamp. I am more familiar with St James's, Piccadilly, as it was my parish when I lived for a year in London.
“I can hardly think it practicable to make a single room so capacious, with pews and galleries, as to hold 2,000 persons, and all to hear the service and see the preacher. I endeavoured to effect this in building the parish church of St James’s, Westminster [Piccadilly], which I presume is the most capacious, with those qualifications, that hath yet been built.”
Sir Christopher Wren

Friday, March 26, 2010

Bruce Graham, an architect with integrity


If I had the talent, my life would have taken another course and I would have been an architect. Bruce Graham has died at aged 83.
"Quick-witted, curious and always alert, Graham seemed to capture the spirit of the age from the mid-1970s to the 1990s. In a sense, he reinvented the role of the architect, recognising that the job is just as much about city-making and power-broking as it is about pure design talent, which Graham possessed in spades."
I love the above photo by Linda Nylind.
"... the exposed structural arches of Exchange House (1990) that effortlessly span 80 metres above the railway tracks leading to Liverpool Street station in London..."
I frequently took trains into and from the station when I lived in London 10 years ago and was always amazed by those arches. I love buildings with that kind of integrity!

From an interview in 2002:
"Let me describe the difference between my idea of architecture and a lot of other architects. Number one, architecture is not painting or sculpture. Architecture is much more like music, which has an element of lime. Architecture is about space and movement. It's four-dimensional. I learned that very early when I went to Chartres Cathedral. I walked up the hill and found the square and then the church and walked in, and this fantastic space opened up. There was a funeral, and they were playing Mozart's unfinished Requiem. I had to cry. Moving through that space with that music was unbelievable. Space is what architecture is all about. Not only interior but also exterior. And the movement of people. That's true whether you go to Greece, or to Karnak, or to any other place and see any other great architecture of the past. I believe that modern architecture should do the same. In Chicago our advantage was that we had engineers. Structure is still essential to the creation of space, just as it was in Chartres Cathedral."



[Purely subjective and personal opinion: Graham's designs stand among other buildings I admire; there are so many - Piano's Menil Collection and Centre Pompidou; Moneo's Audrey Jones Beck Building at Houston's MFA; Van der Rohe's Seagram Building; Kahn's Kimball Museum in Ft. Worth; Johnson's Glass House in New Canaan; Rietveld's Schroder House; Koolhaas's Seattle Library; Bollulo's George R. Brown Convention Center; Burgee's Pennzoil Place (now Bank of America).]

Tuesday, December 16, 2008

LIVING HISTORY

I've been watching the fantastic series this week about the White House on C-Span.

Last night's programs were tours by presidents and first ladies, including Laura Bush (really good). There was also rebroadcast from the 1960s of Jackie Kennedy's tour. I remember watching it as a teen-ager and was struck by her shyness. After that broadcast there was much criticism of her legs! Even then I thought it was sexist.

Tuesday, October 23, 2007

ART IN FLAMES


Brand verwoest Armando Museum (ANP foto)

Email today from a Dutch friend:
The Armando Museum in Amersfoort burned down...
First time I cried when seeing a building burn! Powerless bystanders stood there and cried too.
Armando, my favourite Dutch painter... I love his trees and flags...
---
Many of his monumental works gone now...
Also some neighbouring houses (very beautiful, very posh) went up in flames.
C'est la vie, n'est-ce pas?
Thank God there wasn't any fire when Marc Mulders (royal Jubilee window New Church) exhibited many of his works there!! And the building was so nicely restored (former neo-classicist church)...
Damnit!!

Radio Netherlands -
The monumental building was destroyed by a fire in the centre of Amersfoort yesterday afternoon. It no longer served as a church but housed a museum devoted to the work of contemporary Dutch artist Armando. "Everything lost within two hours" bemoans de Volkskrant, quoting a local councillor as saying "A major museum has been lost to us. This is a very sad day for the town."

As an emotional museum director Gerard de Klein told de Volkskrant, the timing could not have been worse. Disaster struck during an exhibition that featured works by the likes of Albrecht Dürer and Jacob van Ruisdael, insured to the tune of 3 million euros: "It was the crowning achievement of our first ten years ... we had unique works on loan ... and now they're just piles of smouldering embers."

"Armando mourns the work of others" reveals AD, reporting how the artist himself was hurt most by the loss of the works on loan, which he described as "irreplaceable". But when the paper asked him if the disaster reflected one of his favourite themes, the transitory nature of life, he replied philosophically "Yes, I suppose you could see it like that..."

Thursday, September 27, 2007

Symbols & Their Associations


NEW YORK TIMES -
The Navy plans to spend $600,000 for “camouflage” landscaping and rooftop adjustments so that 1960s-era barracks at the Naval Base Coronado near San Diego will no longer look like a Nazi swastika from the air.

The resemblance went unnoticed by the public for decades until it was spotted in aerial views on Google Earth.

But Navy officials said they became aware of it shortly after the 1967 groundbreaking, and had decided not to do anything.

“There was no reason to redo the buildings because they were in use,” a spokeswoman for the base, Angelic Dolan, said. She added that the buildings were in a no-fly zone that is off limits to commercial airlines, so most people would not see them from the air.

“You have to realize back in the ’60s we did not have the Internet,” Ms. Dolan said. “We don’t want to offend anyone, and we don’t want to be associated with the symbol.”

COMMENT: A despicable symbol, sure, with many associations. What lame excuses! Incompetence. Never should have happened in the first place. Yeah, right, blame it on the Internet. “We don’t want to offend anyone, and we don’t want to be associated with the symbol." Our government and armed forces already are associated by default, with their actions around the world.

Full story

Monday, May 28, 2007

The Perfect Cube


I love architecture and design. The new Netherlands Institute of Sound and Vision in Hilversum is a mega-success, celebrating Dutch broadcasting and housing one of the largest audio/video archives in Europe. It's had over 100,000 visitors since it opened in December, 2006. It's now on my to-see list for my next visit.

The New York Times has an Architecture Review: Heaven, Hell and Purgatory, Encased in Glass

More photos here and here.

Related: Why Are They Greener Than We Are?